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Modern Composer's International Music Festival
14 September – 17 October , 2025 Paris · France Chieti · Italy
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  1. Schedule
  2. 14 September ▪ "Two Voices, One Flame"
14
Sep
6:00 pm

"Two Voices, One Flame"

Soloists:

Roman Kim, Violin
Roman
Kim

violin
Giuliano  Mazzoccante, Piano
Giuliano
Mazzoccante

piano
Theatre Marrucino
Chieti, Italy

The inaugural concert of the Modern Composers International Music Festival (ModComFest), titled 'Two Voices, One Flame', is set to take place on 14 September at the Teatro Marrucino in Chieti, one of Italy's oldest and most iconic theatres. The diverse line-up features a selection of captivating pieces, including Giuseppe Tartini's "Devil's Trill" Sonata, Op. 1, No. 4; the festival dedicatee Michel Petrossian's "Stilleven" for solo violin; and the world premiere of his "Armenian Rock" for violin and piano. Also featured are Roman Kim's "Cry of the Soul", "Romance in B", "Romance in G", and his "I Brindisi — Introduction and Variations on Themes from La Traviata by G.Verdi", Op. 4 for violin and piano; Niccolò Paganini's 'La Campanella' from Violin Concerto No. 2, Op. 7; and Alexey Shor/Mikhail Pletnev's Sonata for violin and piano in B minor.

This recital features virtuoso violinist Roman Kim, acknowledged as one of the most innovative violinists of our time, and acclaimed Italian pianist Giuliano Mazzoccante. Together, they pay homage to Petrossian's ability to blend ancient civilisations with avant-garde soundscapes.

TICKETS    


Programme

Guiseppe Tartini

Sonata op.1 n. IV in sol
''Il Trillo del diavolo''

1. Larghetto ma non troppo
2. Allegro moderato
3. Andante
4. Allegro assai — Andante — Allegro assai

Michel Petrossian

„Stilleven"
for violin solo

„Armenian Rock“
for violin solo

Roman Kim

„Valse pour Ana“
for violin and piano

Niccolò Paganini

"God save the king" for Violin Solo

– I N T E R M I S S I O N –

Alexey Shor - Mikhail Pletnev

Sonata for violin and pino in B minor

1. Allegro agitato
2. In modo di Minuet
3. Presto

Roman Kim

„Romance in B“
for violin and piano

„Romance in Ges“
for violin and piano

"I Brindisi“

Introduction and Variations on Themes from La Traviata by Giuseppe Verdi, Op. 4 for violin and piano
(Dedicated to Niccolò Paganini)

Roman Kim

Violin

Roman Kim is internationally acknowledged as one of the most innovative violinists of our time. He has been constantly contributing to the evolution of violin playing technique, expanding the boundaries of what – some years ago – had been considered impossible by even the best violinists in the world.

International career

When, in 2010, he published a video on YouTube, performing his transcription of Johann Sebastian Bach's Air from the Orchestral Suite No. 3, the then 19-year-old caused a sensation. The fact that he was playing all four parts of the score on a single violin amazed experts and famous violinists. Ever since, his fresh and unconventional approach to classical music has been applauded by audiences all over the world. After winning the International Violin Competition "Valsesia Musica" (2012), Kim played concerts in Italy, Germany, France, Hungary, Russia, USA, China, South Korea, Romania, Switzerland and Taiwan. Among others, he appeared in auditoriums such as the Laeiszhalle Hamburg, the Tonhalle Düsseldorf, the Cologne Philharmonic, the Romanian Athenaeum, the Berlin Philharmonic, the Munich Herkulessaal, the Beijing Concert Hall, the Bari Teatro Petruzzelli, the Seoul Arts Centre, the Franz List Music Academy Budapest and the Taipei National Concert Hall. He performed with orchestras like the NDR Symphony Orchestra, the Staatskapelle Halle, the Aachen Symphony Orchestra, the Orchestra del Teatro Petruzzelli, the Suwon Philharmonic Orchestra and the Düsseldorfer Symphoniker, under the baton of distinguished conductors such as Aziz Shokhakimov, Dirk Kaftan, Josep Caballé Domenech, Daejin Kim, Alexandre Bloch and Alpesh Chauhan.

Composing soloist inspired by the past

As a soloist, Roman Kim is especially devoted to the works of Niccolò Paganini, fighting against the prejudice of Paganini's compositions being merely superficial virtuoso show pieces. Resuming the great and old tradition of composing soloists, Roman Kim is also a performer of his own compositions. In 2015, he started a close collaboration with the renowned German music publisher "Bärenreiter". The first edition of Kim's arrangement of Bach's Air was sold out within a few months. Roman Kim's music is romantic, tonal and melodic. While it reminds of the the great composers of the 19th century, his music is also highly original, due to his technical innovations that allow him to create absolutely astonishing sounds. Roman Kim's paraphrases "I Brindisi" on themes by Italian opera composer Verdi strengthened his reputation as a modern Paganini. Inspired by Arcangelo Corelli's “La Folia”, Kim proposed his own approach to the famous musical theme that inspired so many composers of the past.

Combining musical brilliance and spiritual depth

In April 2017, Roman Kim's "Three Romances" for violin and piano were published by "Bärenreiter". The same year, his debut album “Kimpossible” was released by Sony Classical and
received with enthusiasm by critiques around the globe. One of Kim's latest works is an arrangement of Johann Sebastian Bach's Piano Concerto in d-Minor. It does not only translate Bach's orchestral music to the solo violin, but also disposes of a cadenza that Kim composed for this version. In 2019, Roman Kim published his arrangement of Wolfgang Amadeus Mozart's “Eine kleine Nachtmusik”. During the last two years, Roman Kim worked on his “Requiem”. The expressive large scale composition for solo violin was inspired by Gregorian chants and the Roman Catholic Mass for the dead. The movements follow the traditional liturgical form, combining musical brilliance and spiritual depth. The “Requiem” should have been inaugurated in Hiroshima, commemorating the 75th anniversary of the atomic bombing of the Japanese city. However, the event had to be postponed due to the 2020 pandemic.

Pupil of Galina Turchaninova

Born in Kazakhstan into a family of Korean-Tatar-Belarussian descent, Kim started to play the violin at the age of five. Only three years later, he went to Moscow to attend the class of Galina Turchaninova who, as a professor at the Moscow Central Music School, taught many famous violinist like Maxim Vengerov. In 2008, Roman Kim was accepted, aged 16, at the Musikhochschule Cologne, where he studied with Prof. Viktor Tretyakov. Roman Kim currently lives in Cologne and studies composition at the local conservatory. He plays a violin he designed himself. The instrument was created in 2015 at the workshop of master violin maker Alexander Hazin (Cologne) and named „Superior".

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Giuliano Mazzoccante

Piano

Born in Chieti, he studied under the guidance of Lucia Passaglia at the Conservatory "L. Cherubini" in Florence graduating with highest honours. He participated as a student performer on a three-year piano perfection course at the “Accademia Musicale Umbra” where he achieved a "Diploma of Excellence”.

Later, he participated in the "International Master Classes" in Klaipeda (Lithuania), held by Lazar Berman. With him, his concert repertoire deepened and improved with particular attention to the music of F. Liszt, at the European Academy of Music, Erba (CO). He perfected Chamber Music at the International School of Chamber Music in Duino under the guidance of "Trio of Trieste" achieving a "Diploma with Merit". He has won national and international competitions, including "M. Clementi" in Florence, “Agorà 80" in Rome, "F. Liszt" in Lucca, and "Città di Stresa". In 1997 he won second prize at the 'T. I. M. " - International Music Tournament; in 1998, he was awarded the prestigious "Prix Venice"; in 1999 he won second prize at the international competition "Ecomusic" of Monopoli (BA); in 2002 was the winner of the 40th International Piano Competition "Arcangelo Speranza" in Taranto. In 2009 he was awarded in the “4th International Tbilisi Piano Competition" in Georgia (WFIMC).

His musical experience has been enriched by important collaborations as a pianist in the Classical Dance, and in Opera Theatre, collaborating with teachers of Teatro alla Scala in Milan, the Royal Academy of Dance of London, Teatro dell’Opera of Paris. In addition, for several years he worked in the Teatro dell'Opera of Chieti deepening the Opera literature and working as a pianist with important international singers and theatrical directors.

Considerable concert activity has seen him engaged both as a soloist and as a chamber musician at major Italian venues and overseas such as, Milan (Teatro Dal Verme, Casa Verdi), Rome (Palazzo Venezia, Instituto Cervantes), L'Aquila (Teatro Comunale), Trieste (Teatro Verdi, Museo Revoltella), Bologna (Sala Mozart della Filarmonica, Sala Bossi del Conservatorio), Perugia (Sala dei Notari), Venice (Palazzo Albrizzi), Chiavari (Teatro Cantero), Alessandria (Teatro Parvum), Salerno (Sala Napolitano), Rovigno (Croatia), Szombathely (Hungary), Klaipeda, Palanka (Lithuania), Schloss Elmau, Weimar "Liszt House", Munich "Prinzregenten" Theatre", Cologne "Hochshule" (Germany), Brno "Sale Bretislava Bakaly" (Czech Republic), Istanbul (Turkey), Utrecht "Concert Hall" (Netherlands), Oxford "Holywell Music Room" (England), Tel Aviv, Ashdod (Israel), Schaffusen, Gstaad (Switzerland), Shanghai (China), La Valletta "Emmanuel Theatre" (Malta). He is regularly invited to hold concerts and master classes at international festivals such as "ClaviCologne Festival" in Germany, the "Malta International Music Festival", the "International Piano Festival & Competition" in Italy, the “Vipa Festival” in Spain, ecc.

He has been a regular guest of the "International Sommer-Akademie Schloss Pommersfelden" (Germany) where he has performed as a soloist and in chamber music performances and and where he teaches chamber music from 2010. He has appeared as a soloist with different such Camerata Baltica, Lithuanian National Symphony Orchestra, Kiev Philharmonic Orchestra, Sinfonica Abruzzese, Sinfonica di Lecce, Sinfonica di Bari, Solisti Aquilani.

He is often invited to be part of the jury in national and international piano competitions in Germany, Spain, Italy, Latvia, Mexico, Malta, ecc.

He plays with musicians of calibre like Karl Leister (historical 1st clarinettist of the Berlin Philharmonic), Pavel Berman, Francesco Manara and Franco De Angelis (first violinists of the Teatro alla Scala in Milan), Grazia Raimondi, Antonio Tinelli, Rita D'Arcangelo, Gaetano Di Bacco and Liliana Bernardi. He is the pianist of “Trio DOROGI” with the famous musicians Dora Schwarzberg (violin) and Romain Garioud (cello).

His conspicuous record productions range from solo repertoires, chamber music and to a soloist with an orchestra, including recordings for Wide Classique, DAD Records, Camerata Tokyo, Radio Vatican, Radio Bavaria etc. The monographic CD dedicated to J. Brahms, containing the sonates for clarinet and piano op. 120 No. 1 and no. 2 and the Trio op. 114, Published by Phoenix Classics and distributed by Ducale Music, became a finalist at the IMAIE awards 2009 and was reviewed with acclaim by specialised Italian and overseas magazines (Musica, Suonare News, Giornale della Musica, Fanfare and The Clarinet).

From 2012 he has been an honorary member of the Rotary Club of Subiaco (Rome) and in 2014 he was awarded from the Rotary Club of Pescara West with the "Paul Harris Fellow" for commitment in spreading music and its culture.

From 2015 he is the founder and Artistic Director of the Music and Art International Music Academy in Chieti which aims at promoting young artists and the development of the arts.

From 2017 he is the artistic director of the Concert Season of Teatro Marrucino in Chieti.

From 2019 he is the Artistic Director of "In Musica" International Music Festival and Piano Competition in Rome - Italy.

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| 20 Sep • Chanter l'icône →

Venue · Theatre Marrucino

One of Chieti's oldest and most iconic theatres, the Marrucino Theatre was built in the early nineteenth century, taking just four years to complete, from 1813 to December 1817. Designed by Eugenio Michitelli from Teramo, the venue was built on the perimeter walls of the deconsecrated Church of S. Stefano and S. Ignazio.
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© 2026 A portrait of Michel Petrossian · International Music Festival
Roman Kim · Violin
Roman Kim · Violin · A portrait of Michel Petrossian · International Music Festival
Roman
Kim
Violin

Roman Kim is internationally acknowledged as one of the most innovative violinists of our time. He has been constantly contributing to the evolution of violin playing technique, expanding the boundaries of what – some years ago – had been considered impossible by even the best violinists in the world.

International career

When, in 2010, he published a video on YouTube, performing his transcription of Johann Sebastian Bach's Air from the Orchestral Suite No. 3, the then 19-year-old caused a sensation. The fact that he was playing all four parts of the score on a single violin amazed experts and famous violinists. Ever since, his fresh and unconventional approach to classical music has been applauded by audiences all over the world. After winning the International Violin Competition "Valsesia Musica" (2012), Kim played concerts in Italy, Germany, France, Hungary, Russia, USA, China, South Korea, Romania, Switzerland and Taiwan. Among others, he appeared in auditoriums such as the Laeiszhalle Hamburg, the Tonhalle Düsseldorf, the Cologne Philharmonic, the Romanian Athenaeum, the Berlin Philharmonic, the Munich Herkulessaal, the Beijing Concert Hall, the Bari Teatro Petruzzelli, the Seoul Arts Centre, the Franz List Music Academy Budapest and the Taipei National Concert Hall. He performed with orchestras like the NDR Symphony Orchestra, the Staatskapelle Halle, the Aachen Symphony Orchestra, the Orchestra del Teatro Petruzzelli, the Suwon Philharmonic Orchestra and the Düsseldorfer Symphoniker, under the baton of distinguished conductors such as Aziz Shokhakimov, Dirk Kaftan, Josep Caballé Domenech, Daejin Kim, Alexandre Bloch and Alpesh Chauhan.


Read more →
Giuliano Mazzoccante · Piano
Giuliano  Mazzoccante · Piano · A portrait of Michel Petrossian · International Music Festival
Giuliano
Mazzoccante
Piano

Born in Chieti, he studied under the guidance of Lucia Passaglia at the Conservatory "L. Cherubini" in Florence graduating with highest honours. He participated as a student performer on a three-year piano perfection course at the “Accademia Musicale Umbra” where he achieved a "Diploma of Excellence”.

Later, he participated in the "International Master Classes" in Klaipeda (Lithuania), held by Lazar Berman. With him, his concert repertoire deepened and improved with particular attention to the music of F. Liszt, at the European Academy of Music, Erba (CO). He perfected Chamber Music at the International School of Chamber Music in Duino under the guidance of "Trio of Trieste" achieving a "Diploma with Merit". He has won national and international competitions, including "M. Clementi" in Florence, “Agorà 80" in Rome, "F. Liszt" in Lucca, and "Città di Stresa". In 1997 he won second prize at the 'T. I. M. " - International Music Tournament; in 1998, he was awarded the prestigious "Prix Venice"; in 1999 he won second prize at the international competition "Ecomusic" of Monopoli (BA); in 2002 was the winner of the 40th International Piano Competition "Arcangelo Speranza" in Taranto. In 2009 he was awarded in the “4th International Tbilisi Piano Competition" in Georgia (WFIMC).

His musical experience has been enriched by important collaborations as a pianist in the Classical Dance, and in Opera Theatre, collaborating with teachers of Teatro alla Scala in Milan, the Royal Academy of Dance of London, Teatro dell’Opera of Paris. In addition, for several years he worked in the Teatro dell'Opera of Chieti deepening the Opera literature and working as a pianist with important international singers and theatrical directors.


Read more →
Bernard Sasia · Cinema Director
Bernard Sasia · Cinema Director · A portrait of Michel Petrossian · International Music Festival
Bernard
Sasia
Cinema Director

Since graduating from IDHEC in 1982, Bernard SASIA has edited around fifty films, both fiction and documentary. 

In 2013, with Clémentine Yelnik, he directed Robert sans Robert, a documentary in which he dismantles the films of Robert Guédiguian (he has worked on all his films) to reassemble them and tell the story of editing and creation in the shadows to reassemble them and tell the story of editing and creation behind the scenes.  

In 2018, with Mocky sans Mocky, he takes 58 films by Jean-Pierre Mocky and dares to make a film about the freedom of the imagination. 


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Roland Hayrabédian · Conductor
Roland Hayrabédian · Conductor · A portrait of Michel Petrossian · International Music Festival
Roland
Hayrabédian
Conductor

Roland Hayrabedian formed the Chœur Contemporain in 1978 and Musicatreize in 1987. Throughout his career he has conducted numerous orchestral and vocal groups (the Choir and Choir School of Radio France, the Philharmonic Orchestra of Radio France, the National Orchestra of Lorraine, the Philharmonic Orchestra of Marseille, the Regional Orchestra of Avignon, the Regional Orchestra of Cannes, the National Choir of Ireland, the Nederlands Kamerkoor,… ) and collaborated with the Strasbourg Percussion, Musique Vivante, Musique Oblique, 2e2m, TM+, the Itinéraire ensemble….

With Musicatreize, the central focus remains the work with present-day composers: Edith Canat de Chizy, Zad Moultaka, Oscar Strasnoy, Michel Petrossian, Philippe Schoeller, Alexandros Markeas, etc. Roland Hayrabedian’s name is closely linked to the name of Maurice Ohana, a composer of whom he is one of the most faithful interpreters and of whose vocal works he has recorded nearly all.


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Bruno Mantovani · Conductor
Bruno Mantovani · Conductor · A portrait of Michel Petrossian · International Music Festival
Bruno
Mantovani
Conductor

Bruno Mantovani was born on October 8, 1974. After receiving five first prizes from the Paris Conservatory (analysis, aesthetics, orchestration, composition, music history) and attending the computer music Cursus at Ircam, he began an international career. His works have been performed at the Concertgebouw in Amsterdam, the Philharmonie in Cologne, the KKL in Lucerne, La Scala in Milan, Carnegie Hall and Lincoln Centre in New York, the Cité de la musique and the Salle Pleyel in Paris. Faithful to his preferred performers, he collaborates with prestigious soloists (Jean-Efflam Bavouzet, Alain Billard, Jean-Guihen Queyras, Antoine Tamestit, Tabea Zimmermann), conductors (Pierre Boulez, Sir Andrew Davis, Peter Eötvös, Laurence Equilbey, Gunter Herbig, Emmanuel Krivine, Susanna Mälkki, Jonathan Nott, Pascal Rophé François-Xavier Roth), ensembles (Accentus, Intercontemporain, TM+) and orchestras (Bamberg Symphony, BBC Cardiff, Chicago Symphony, WDR Cologne, La Chambre Philharmonique, Frankfurt Radio Orchestra, Liège Philharmonic, BBC London, Lucerne Academy, Orchestre de Paris, Paris Opera Orchestra, Philharmonic Orchestra of Radio France, Sarrebrücken Radio Orchestra, Czech Philharmonic, NHK Tokyo, RAI Turin, Sinfonia Varsovia, RSO Vienna).

He is the headmaster of the Paris Conservatory since September 2010.


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Léo Margue · Conductor
Léo Margue · Conductor · A portrait of Michel Petrossian · International Music Festival
Léo
Margue
Conductor

Conductor, pianist, and saxophonist Léo Margue was nominated in 2024 in the "Revelation, Conductor" category at the Victoires de la Musique Classique. He began his career as an assistant conductor with three French orchestras: the Orchestre National de Lille, the Orchestre de Picardie, and the Orchestre National d’Île-de-France.  

Trained at the Conservatoire National Supérieur de Musique de Paris in Alain Altinoglu’s class, which he joined in 2013, he later served as assistant conductor to Matthias Pintscher at the Ensemble Intercontemporain from 2019 to 2021. During this time, he became particularly active in contemporary music creation with the LIKΣN project, which he co-founded alongside composer and improviser Timothée Quost.  


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Teresa Satalino
Teresa Satalino ·  · A portrait of Michel Petrossian · International Music Festival
Teresa
Satalino

Born in South of Italy, she began her studies on the piano. Then she graduated in Composition, Orchestra Conducting and also in Literature and music history with a thesis on Luciano Berio.

She holds a master’s degree in onducting under the guidance of Jorma Panula, Bruno Bartoletti, Lu-Jia, Alain Lombard, Donato Renzetti e Piero Bellugi.

She has performed in venues like Musikverein and Konzerthaus in Wien, Esterazy Palace in Eisenstadt, Smetana Hall in Prague, Teatro Petruzzelli in Bari, Teatro del Maggio Musicale Fiorentino in Florence, Surayya Opera in Istanbul. She collaborated with artists like Calogero Palermo, Omar Tomasoni, Carlo Parazzoli, Silvia Careddu, Patrick Messina, Sergey Galaktionov, Davide Alogna, Marco Rizzi, Anna Serova, Roman Spitzer, Emanuele Silvestri, Gernot Süßmuth, Felix Schwarz.

In 2018 she was nominated as Music Director of AYSO Orchestra, a youth orchestra composed by about 70 musicians from all over Italy; in just a few years AYSO has become a national reference point and a valuable trait d'union between academic training and the world of professional orchestras.

She recently led AYSO to win first prize at International Summa Cum Laude Festival in Wien against orchestras from all over the world.

She is also Artistic Director of AYSO Youg Soloist, a chamber orchestra with an intense concert activity which recently was guest of Istituto Italiano di Cultura di Praga and of the Italian Embassy in Wien.


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Compagnie Hallet-Eghayan
Compagnie Hallet-Eghayan ·  · A portrait of Michel Petrossian · International Music Festival
Compagnie
Hallet-Eghayan

A Historic Company

In 1977, after several years of study in New York, Michel Hallet Eghayan founded his Company as well as the Professional Training School (now a Choreographic Center). This dual creation reflects the ongoing connection between creation and training that defines its founder's work.

Since then, the Company and its Artistic Director have created over 100 choreographic works. Retour en avant, Orlando Furioso, Hommage à Kandinsky, Which Side Story, and Pour Giselle are today recognized as landmark pieces of contemporary French dance. Drawing on the heritage of human movement, Michel has developed his own language, focusing on choreographic form and movement. After an initial period of compositions centered on the theme of Variation (1977–1990), he began exploring roots and the connections between our origins and contemporary thought (1990–2000).

The Arts-Science Connection

Since 2000, the Company has ventured into new spaces at the intersection of arts and sciences. It has notably collaborated with Pascal Picq, a paleoanthropologist at the Collège de France, and astrophysicist Roland Bacon.

This dual work, combining artistic implicitness with scientific explicitness, has resulted in spectacular dance conferences where scientists share the stage with artists. It has also led to choreographic works that retain only the symbols of this shared exploration between arts and sciences.


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Ensemble Musicatreize
Ensemble Musicatreize ·  · A portrait of Michel Petrossian · International Music Festival
Ensemble
Musicatreize

Musicatreize was founded in 1987 by Roland Hayrabedian. Since then, the ensemble has been promoting the musical repertoire of the 20th century, adding to it new works, juxtaposing eras and styles and establishing a focus for contemporary music in the South of France.

Ensemble of varying dimensions, Musicatreize is a seasoned performer on a wide variety of stages and settings, from the pared-down concert to full musical theatre. Juggling different esthetics, Musicatreize finds links between Roland de Lassus (Prophetiae Sibyllarum) & Maurice Ohana (Office des oracles), Franz Schubert (Gesang der Geister über den Wassern) & Michel Petrossian (Amours sidoniennes) or Clément Janequin (Il estoit une fillette) & Philippe Schoeller (Eros-Songs) or Régis Campo (Secouez-moi).

Musicatreize is dedicated to musical creation without any aesthetic bias, simply seeking a sensitive and original approach, with a Mediterranean spirit. The musical line of thinking ranges from Alberto Posadas to Tapio Tuomela, from Edith Canat de Chizy to Oscar Strasnoy, from Lucien Guérinel to Zad Moultaka or from Gérard Grisey to António Chagas Rosa. Musicatreize often offers young composers their first opportunity to write for a vocal ensemble.

In its more than 30-year history, Musicatreize has created a long-term relationship between musicians and composers. With more than 300 new works, usually organized in cycles (Lullabies, The Seven Tales, Space Odysseys, Priority Voices, Three Detective Cantatas, The Twelve Letters for Elise) and always accompanied by pedagogical activities, Musicatreize has developed a strong network with its public.


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2e2m Ensemble
2e2m Ensemble ·  · A portrait of Michel Petrossian · International Music Festival
2e2m
Ensemble

Ensemble 2e2m is one of the first and most prestigious French ensembles dedicated to contemporary musical creation. With several hundred world premieres to its name, it has become a key player on both the national and international music scenes.  

Since its founding in 1972 by composer Paul Méfano, 2e2m has continuously reinvented itself, securing a leading role in the landscape of contemporary music.  

Based in Champigny-sur-Marne, in the Paris region, since its inception, the ensemble remains deeply committed to fostering musical creation, dissemination, and audience engagement. Through concerts, educational projects, open rehearsals, and encounters with composers and performers, 2e2m provides audiences with insights into new works, helping them to connect with performances and engage closely with the creative process.  

Fifty years after its founding, 2e2m continues to pursue its mission with passion: to discover-by embracing a broad spectrum of musical aesthetics-and to share-through long-standing artistic and personal collaborations with musicians and performers.


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Ensemble Orchestral Contemporain
Ensemble Orchestral Contemporain ·  · A portrait of Michel Petrossian · International Music Festival
Ensemble
Orchestral Contemporain

Founded in 1989 by conductor Daniel Kawka, the Ensemble Orchestral Contemporain was one of the first independent French ensembles dedicated to contemporary music. Over the years, the EOC’s creative output and tours in France and abroad have helped it forge a unique place in the musical landscape.

The Ensemble is renowned for being a key interpreter of 20th and 21st century music and an important player in musical creation. Composers of all generations have placed their trust in us. Today, the EOC counts more than 700 works in its repertoire, including 300 premieres.

The EOC is an instrumental ensemble home to around 15 musicians, who may also play a solo role. Bruno Mantovani is at the helm of the ensemble, as artistic director and principal conductor. The EOC stages concerts of large- and medium-sized formations, championing pure instrumental concerts, as well as a mix of instrumental and electroacoustic sounds paired with other artistic expressions (dance, opera, literature and visual arts).


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